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"A lavishly designed series of iconic scenes that meld folk symbology, eroticism, and religious allegory with a soundtrack
of varied musics and language ploys by experimental composer Warner Jepson."
More about this on our video page at warnerjepson.com/video/index.html
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Program Description: A gender-obliterating funfest unleashed by the cantankerous cross-dressing Cockettes, the legendary Luminous Procuress is now restored in an immaculate new print that brazenly recounts the mystical passage of two lissome hippie lads who enter a strange mansion where a magic potion promises glimpses of a transformational realm. Led by the mystical “Procuress” (the ever-sculptural Pandora), the two naïfs are privy to a delirious vision of consciousness unbounded by gender or desire. Created in San Francisco’s Mission District by Steven Arnold, an art outlier of prophetic leanings, Luminous Procuress, an exotic amalgam of outrageous wearable art, oneiric imagery, and erotically charged tableaux, gloriously drags on.
Warner-Jepson-Totentanz |
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WarnerJepson -Totentanz- And-Other-Electronic-Works-1958-1973 |
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Warner Jepson with Larry Templeton 2009
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July 15, 2014 NEEDLE EXCHANGE
Warner Jepson – The Big Purr / Bugs At Large / Blood Knot
"My friend Mitchell Brown at KXLU released an incredible double CD with a lot of unreleased works by Warner Jepson, a lot of which were done on the Buchla 100. I much prefer Warner’s use of the instrument compared to Morton Subotnick’s. (Mort’s 200 works are my favorite though!) I feel Warner Jepson really pushed the 100 to its limits."
Alessandro Cortini : keyboardist with Trent Reznor's Nine Inch Nails
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Charles Eppley is a sound enthusiast and art historian from Brooklyn, NY - charleseppley.com
10 Warner Jepson - Totentanz
"I have published an editorial on the pioneering electronic musician Warner Jepson (1930-2011) at Swingset Magazine. Jepson was an early member of the renowned San Francisco Tape Music Center, and one of the earliest musicians to use the Buchla 100 modular synthesizer. In this piece, I discuss an off-the-cuff recording of Christmas carols made for an annual holiday party at the San Francisco Museum of Modern Art in 1969."
Charles Eppley